Buffalo Nichols will play the Sugar Maple Music Festival on Saturday, August 7, 2021

For all the moonlighting he’s done in other genres over the years, Carl Nichols always comes back to the blues. At various points in his career Nichols has played gospel (despite being an atheist), West African music (despite being born and raised in Milwaukee) and, as one half of the acclaimed folk duo Nickel & Rose, Americana (despite having some deep reservations about that genre’s long history of appropriating black music without always welcoming black musicians). None of those gigs, however, extinguished his desire to play the kind of traditional, acoustic blues he grew up admiring.

Maybe on some level he’s pathologically drawn to spaces where he’s an outsider. As a twentysomething black musician, Nichols is all too aware that the modern blues scene doesn’t look much like him, but he never outgrew his childhood love of the music. “It seemed cool to me when I was young,” he says. “You’d just hear people like Lightnin’ Hopkins or R.L. Burnside, and they just seemed cool. That’s why anybody gets into music, because it speaks to them.”

And it continues to speak to him, so much so that he’s tabled Nickel & Rose just as the duo was establishing itself as a major folk festival draw to pursue his dream of returning the blues to its songwriter roots. “I think a lot of what’s been lost in the blues since the early ’60s is the black experience, so I try to sing about that,” Nichols says. “I can’t escape racial realities, but I’m also aware that my audience is different than me, so the way they receive my message is different. I have this nostalgia for an era where blues musicians sang about their experiences to their own people, but that audience isn’t there now.”

It’s a challenge, he admits, but there’s power in crossing racial and generational divides. And on a personal level, he sees Buffalo Nichols as a form of justice for the music he’s always loved. “I want to redeem the blues after all the experiences I went through when I was younger,” he explains. “When I first started getting into the blues, my mom would take me to blues shows, and inevitably there’d be some old white guy there who would try to take me under his wing and explain ‘the rules’ of the blues to me. It chased me away. “I always related to the blues,” Nichols concludes. “I grew up in abject poverty. I experienced racism. And when I would sit down with a blues record, I could hear that in the songs. Now I want to be that person that I never got to see on stage.”

Ray Bonneville is a hard driving, blues dipped, song and groove man writing about the people on the fringe of society. Ray’s vibe is loose and soulful, with a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion. In 1999 he won the Juno award (Canada’s Grammy) and was nominated twice more. Ray’s song “I am the Big Easy” was the most played song by American folk DJs, and won “Song of the Year” in 2009. Ray won the International Blues Challenge in 2012 in Memphis.

Ray played the Sugar Maple Concert Series in 2019 and captivated the room with his songs and stories. You can catch Ray at the 2021 Sugar Maple Music Festival on Saturday, August 7.

Join Hubby Jenkins for a live online performance September 22
Show is first in Sugar Maple supported “Virtual Roots & Reasons” series

Hubby Jenkins, who mesmerized the Sugar Maple Music Festival audience in 2019, is a talented multi-instrumentalist who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn he delved into his southern roots, following the thread of African American history that wove itself through America’s traditional music forms. As an integral member of the Carolina Chocolate Drops and later Rhiannon Giddens band, Hubby has performed at festivals and venues around the world, earning himself both Grammy and Americana award nominations. Today he spreads his knowledge and love of old-time American music through his dynamic solo performances and engaging workshops.

The Sugar Maple Music Festival, with the help of a grant from Dane Arts, is proud to support Hubby’s live online show (link to performance) on Sept. 22 at 7 pm CST where he will read a “Create your own adventure book,” perform songs and talk about his music.

Hubby’s show is the first in a series of online shows supported by the Sugar Maple Music Festival – performances and conversation about the music with a number of diverse artists including an October 4 (10 am CST) performance by Piedmont Bluz, and an in-depth interview and concert by Grammy nominated solo artist, songwriter and Native Daughters member Amythyst Kiah scheduled for October 10.

Watch our Facebook page for details on all the upcoming shows.  

We’re excited to bring the Amythyst Kiah Trio to the stage for their very first Sugar Maple Music Festival performance. Born in Chattanooga and based in Johnson City, Amythyst Kiah’s commanding stage presence is matched by her raw and powerful vocals—a deeply moving, hypnotic sound that stirs echoes of a distant and restless past.

Accompanied interchangeably with banjo, acoustic guitar, or a full band, her eclectic influences span decades, finding inspiration in old time music, alternative rock, folk, country, and blues.

Our Native Daughters, her recent collaboration with Rhiannon Giddens, Leyla McCalla, and Allison Russell (Birds of Chicago), has delivered a full-length album produced by Rhiannon Giddens and Dirk Powell, Songs of Our Native Daughters (out now on Smithsonian Folkways). The opening track, “Black Myself”, written by Amythyst, was recently nominated for a Grammy for Best American Roots Song.

Mark your calendars for Saturday, Aug. 1 when the Amythst Kiah Trio takes to the 17h Annual Sugar Maple Music Festival stage.

~written by Kimberly Schmitt

The Sugar Maple Concert Series is thrilled to welcome Ray Bonneville to the North Street Cabaret Friday, November 15. Tickets here!

Packing his 9^th studio album, At King Electric, acclaimed songwriter and master of the groove, Ray Bonneville has a pack full of new songs to share.

Ray Bonneville is a poet of the demimonde who didn’t write his first song until his early 40s, some 20 years after he started performing. But with a style that sometimes draws comparisons to JJ Cale and Daniel Lanois, this blues-influenced, New Orleans-inspired “song and groove man,” as he’s been so aptly described, luckily found his rightful calling. 

Born in Quebec, his family moved to Boston when he was 12. He served a year in Vietnam as a Marine, struggled and overcame drug addiction, earned a pilot’s license in Colorado, then moved to Alaska, then Seattle, and Paris and New Orleans. But it took a close call while piloting a seaplane across the Canadian wilderness to make him decide it was time to get busy writing songs – gritty narratives inspired by a lifetime of hard-won knowledge set against his gritty, soulful guitar and harmonica playing.

He’s since earned many accolades, including a Juno Award for his 1999 album, Gust of Wind. His post-Katrina ode, “I Am the Big Easy,” earned the International Folk Alliance’s 2009 Song of the Year Award, and in 2012, Bonneville won the solo/duet category in the Blues Foundation’s International Blues Challenge. He has guested on albums by Mary Gauthier, Gurf Morlix, Eliza Gilkyson, Ray Wylie Hubbard and other prominent artists, and shared songwriting credits with Tim O’Brien, Phil Roy and Morlix, among others. Slaid Cleaves placed Bonneville’s “Run Jolee Run” on his lauded 2009 album, Everything You Love Will Be Taken Away.

An Austin, TX resident since 2006, Bonneville still puts the rhythms and soul of New Orleans into much of his music. His songs carry a groove and momentum that’s uniquely his — and will always be a part of him, no matter where he roams.