Special thanks to our volunteers who we literally could not do the fest without. Thanks to all the bands for their fantastic performances. Thanks to our sponsors for their kind contributions. Thanks to the park staff for their hospitality. Thanks to our vendors for keeping us fat with food. Thanks to my fellow board members (and über volunteers) for their tireless efforts (which includes putting up with yours truly). And last but certainly not least, thanks to our patrons, who share our love of the music.

Oh, and thanks to the weather gods for their mercy and to the inventors of deet.

O’Brien’s musical journey began in his native West Virginia, where he was surrounded by classic country and bluegrass, by taking up the guitar and banjo, adding fiddle and mandolin to his repertoire later on. By 1990, after several bands, such as Hot Rize and Ophelia Swing Band, O’Brien established himself as a solo artist and recently released his 13th album, Chicken & Egg. Mixing O’Brien originals, collaborations, and a handful of outside compositions, Chicken & Egg is an illuminating, engaging, and ultimately life-affirming meditation on the art of living. “This stuff reflects what goes on in the life of someone my age,” O’Brien reflects. “I’m 56 years old. I’m not the young kid on the scene – and I’m happy about that. I’m at a strange point in my life: my kids are growing up, while my parents and teachers are passing on. There’s a lot happening – but it’s just life, and that’s what this album is about. There’s a little love song action here and there, but mostly it’s about living life.”

O’Brien listens to bluegrass and hears the music’s roots in modal Irish ballads and vintage swing. He insightfully re-examines and reconstructs those styles, and many others, in his own music, throwing off new sparks by reawakening the tension and interplay of the colliding components at the heart of American music. “Over the years,” he explains, “my music has become a certain thing. Each time I go into the studio to make a new album, I could make an Irish record, or a bluegrass record, or a country record…but it seems artificial to sift anything out. I feel like I’d be leaving out something important. In the end, I just try to make it round…”

Tim plays two sets at 2pm and 7:30pm on Saturday. He will also take part in the Fiddlers In The Round workshop at 3pm, Saturday.

Ginny and Tracy

Ginny and Tracy play at 4:30pm on Saturday. Tracy also plays the Old-Time dance on Friday night and will take part in the Fiddlers In The Round workshop at 3pm, Saturday.

Dáithí Sproule of Derry, is one of Irish music’s most respected guitar accompanists, and one of the first guitarists to develop DADGAD tuning for Irish music. He is also a fine singer in English and Irish. Sproule’s original compositions have been recorded by Skara Brae, the Bothy Band, Altan, Trian, Liz Carroll, Aoife Clancy, the RTE Concert Orchestra and others. He is also known for his innovative arrangements of traditional songs, and in 1995 he released his first solo album, A Heart Made of Glass, with songs in English and Irish. In 2008 he released an instrumental guitar album, The Crow In the Sun, featuring thirteen original compositions. In addition to performing and recording, Dáithí is a sought-after teacher and lecturer in subjects ranging from guitar styles and song accompaniment to Irish traditional music, language and literature. He is a 2009 Bush Artist Fellow, awarded by the Minnesota based Archibald Bush Foundation.

Liz and Dáithí play at 6pm on Saturday. Liz will also be included in the Fiddlers In The Round workshop at 3pm, Saturday.

Dennis went on to live and work in southwest Louisiana as an assistant curator at the Vermilionville Folklife Center in Lafayette, LA and also became fluent in “Lower Louisiana” Creole Music and Cajun/Creole French and quickly grasped old-style Cajun and African Creole fiddling with fervor.  After earning a Masters Degree of History at Southern Illinois University and eventually a certificate of Quebecois Studies and Language at the University of Quebec, since 1999 Dennis has been a touring French Creole musician and speaker working across the United States, Canada, and Europe.

Dennis Stroughmatt and Creole Spirit host a jam on Saturday at 4:30pm and then play the dance that night at 9pm.

Schwarz first came to love country music from radio broadcasts of the late ’40s, which inspired him to learn the banjo and guitar. While in college, Schwarz also mastered the mandolin and the bass fiddle. He soon began playing in assorted bluegrass bands around Washington, D.C. During the early ’60s, Schwarz enlisted in the Army for two years and during that time learned to play the fiddle. He began working with the New Lost City Ramblers as a replacement for Tom Paley in 1962, and eventually became a full-time member for ten years; his involvement in the band later tapered off as he became more interested in spending time on his Pennsylvania farm. He continued to appear with other bands, most notably the Strange Creek Singers through the 1970s. He continues to perform and explore new areas of traditional music, most notably with Ginny Hawker.

Chirps Smith is a veteran of fiddle contests and playing for dances, at which he frequently plays backup to the fiddle on the mandolin and related mandolin family instruments, as well as four and five string banjos. While a part of the band Indian Creek Delta Boys, named after a stream in his native Illinois, Smith earned the nickname “Chirps” due to the “chirping” quality to his mandolin style. Chirps enjoys playing many types of tunes, from hoedowns/reels and waltzes to schottisches, polkas, two-steps, and perhaps one or two mazurkas or hambos. At dances, he is commonly joined by his wife and clog-dancer Dot Kent, also a veteran dance caller.

Based out of Chicago, the Modern Sounds features Joel Paterson on guitar and vocals, Beau Sample on string bass and vocals, and Alex Hall on drums and vocals. Since Paterson moved to Chicago, he performed with various bands, such as Jimmy Sutton’s Four Charms and Kelly Hogan’s Wooden Leg. Another Chicago import, slap bass virtuoso Beau Sample, toured the U.S. And world while fronting his former band Cave Catt Sammy and backing up Elana James. In addition to being a talented drummer, Chicago native Alex Hall is a recording engineer as well, as highlighted in Ventrlla Records.

The trio founded Ventrella Records in 2008, releasing three CDs since then, including “A Chicago Session” featuring boogie-woogie piano master Carl Sonny Leyland and “Steel is Real” showcasing Paterson on pedal steel guitar.

Modern Sounds plays Friday, 7:30pm.

Son Mudanza plays Saturday, 1pm and hosts a workshop at 2pm.

A Jackstraw show is truly an inclusive, multi-generational experience. The band’s devoted following includes bluegrass purists, alt-country fans, kids who want to dance, and people who know a good tune when they hear one. They have shared bills with many bluegrass greats such as Del McCoury and Tim O’Brien and included legends like Danny Barnes (Bill Frisell, Robert Earl Keen, Bad Livers) and Tony Furtado (Earl Scruggs, Alison Krauss) as temporary band mates.

Jackstraw plays Friday at 6pm and again Saturday at 3pm.